Black Visuality, Black Performance (Fall 2021)
Michael Gillespie (Media and Communications and African American Studies, City College | Art History, Film, and English, The Graduate Center)
Amber Musser (English, The Graduate Center)
Course Number: IDS 81650
The class will be an interdisciplinary consideration of blackness and the art of black cultural production with attention to framing art as an enactment of black visual and expressive culture. We will focus on the aesthetic, political, historiographic, and cultural instantiations of the idea of race as discourse. The narrative of the class is structured around various epistemological and aesthetic themes/tendencies that inform black visuality and performativity in the arts (e.g. film, television, literature, music, new media, photography, dance, painting, installation art). Students will be required to complete and present their own projects on black visuality/performance. Course readings may include: Tina Campt’s Listening to Images, Uri McMillan’s Embodied Avatars: Genealogies of Black Feminist Art and Performance, Emily Lordi’s The Meaning of Soul: Black Music and Resilience Since the 1960s, Huey Copeland’s Bound to Appear: Art, Slavery, and the Site of Blackness in Multicultural America, Amber J. Musser’s Sensual Excess: Queer Femininity and Brown Jouissance, and Michael Boyce Gillespie’s Film Blackness: American Cinema and the Idea of Black Film.